Music by Gaetano Donizetti. Libretto by Giovanni Ruffini and Gaetano Donizetti.
The study, proposed in this open-air laboratory, collects and merges quotes and reflections, taken from Gluck's masterpieces, elaborated by the subtle dramaturgical thread of Bruno Taddia with the voice of Anna Caterina Antonacci.
A monumental opera, with impressive sounds, the Messiah has always been remembered for having one of the most famous and most performed choral sections in the world, the Hallelujah. It will be performed in German with Italian surtitles.
Unfinished Singspiel, inspired by Zaira, a tragedy in five acts by Voltaire, to music by Wolfgang Amadeus Mozart, Zaide (Das Serail) is offered in a rare performance in German with Italian surtitles, which takes up the dramaturgy of Italo Calvino, directed by Graham Vick.
The premiere of Fanciulla del West, the seventh title in Puccini's production, was staged on 10 December 1910 at the Metropolitan in New York: on the podium Arturo Toscanini.
A leap back to the era of the Greek myth, a return to the origins of the tragedy, of 414 BC, with music that consecrated the composer's talent.
The events of Count d'Almaviva (Lindoro), Figaro (the barber), Rosina, Bartolo (Rosina's tutor), Don Basilio, Berta, Ambrogio and Fiorello unfold in a sequence of misunderstandings, disguises, surprises, and 'apart ', seamlessly.
Drame lyrique in four acts with libretto by Édouard Blau, Paul Milliet and Georges Hartmann from the epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe. Music by Jules Massenet.
Direction and orchestral conducting in this production are entrusted to two young talents from the Italian scene: Roberto Catalano and Jacopo Brusa.